An “objective” narrative of a major life event will not reveal the role that event played/s in a person’s spirit and self-identity. Thus, my paintings are my own memories and memories of memories. I once heard that the more personal an expression, the more likely it will engage others.
I am captured by figures and the gestures and expressions which reveal what the person is experiencing. Therefore, I am a painterly painter and recently color has played a more active and even central role in my work.
My father, *Hymel Falgoust, was an artist and Professor of Art at Southeastern Louisiana University. He encouraged me to draw and paint as a child. Even so, I did not seriously pursue drawing and painting until after I had earned a B.A. in religion and philosophy from Texas Christian University and an M.Div. from Yale University.
At the Art Students’ League of New York City, I studied figure drawing and anatomy, and traditional painting techniques. Creating art has been crucial to my life ever since. My Dad encouraged me, and after I returned from a term in Overseas Ministries (Zaire, now Democratic Republic of Congo, two of his colleagues and friends, Gail Hood and Barbara Tardo, helped me create a portfolio for graduate school. I eventually earned an M.F.A. from the San Francisco Art Institute. Most recently I have studied with Margaret McCann at the Art Students’ League after I began exploring realization of memories in painting.
I have made and sold artwork while working and serving as a minister, healthcare chaplain and hospice chaplain (my ordination is in the Disciples of Christ). My work has previously been tonal, employing traditional drawing and painting techniques. I am grateful for my background and continue to paint “indirectly” while exploring color dynamics more deeply.
I live with my husband Alan Cox, a classical musician and composer and our dachshund, Toby, in Poughkeepsie, New York.